Overloud Comp LA is a game - changing plug - in that combines the simulation of two iconic optical compressors. The 2A tube - based model offers a warm, harmonically rich tone, while the 3A solid - state version has a fast attack and a clean, transparent sound. It features hyper - realistic simulation of the opto - attenuator and dual - stage release curve, built - in Mid - Side and Parallel Compression, user - controllable harmonic generation and metering, LF sensitivity control, and an Ultra Oversampling mode. With low CPU usage (over 500 instances on a Macbook Pro Retina), multilevel undo - redo, A/B Comparison, Scribble Strips, and Meter Calibration, it goes beyond the original hardware, merging digital flexibility with analog sound character.
To use Overloud Comp LA, first, select either the 2A (Tube) mode for a richer tone or the 3A (Solid State) mode for a faster attack. You can control the amount of generated harmonics according to your preference and monitor it through the meter. The Mid - Side and Parallel Compression features can be easily enabled to separately compress different elements of the track. When it comes to the dual - stage release, keep in mind the 70 ms for the first half and 500 ms to 5000 ms for the second half. As for maintenance, make sure your system meets the requirements for low CPU usage. Keep your software updated to ensure optimal performance and avoid any potential glitches. Don't overload your system with too many instances at once, as it might affect the overall performance.
