Rob Papen LowSane

Step into the world of digital audio breakdown! In music production, we record at 24bit and 192kHz for top - notch audio. But Lo - Fi is no longer just a cheap toy's side - effect; it's now a powerful creative tool in music and post - audio work. In the 80s, 16bit was all the rage, but years later, 'Lo - Fi' sound sculpting became an art. LowSane fits right into this creative process, adding features like the 'Disrupt Sphere'. It offers a Distortion module, Band Pass/Notch Filter, Lo - Fi section, Hi and Low Pass Filters, and a Noise Gate in the audio route. The Disrupt Sphere controls these parameters, and there's an Audio Follower that can also control it or other parameters. Plus, there's a 2 - slot modulation matrix to connect parameters, use MIDI, and control the Disrupt Sphere. With LowSane, you can embrace the Lo - Fi sound easily.

Using LowSane is quite straightforward. First, start by adjusting the parameters in the audio route, like the Distortion module, filters, and the Noise Gate, to get the basic sound you want. The Disrupt Sphere is a key part here - you can use it to control all these parameters. The Audio Follower is handy too; you can set it to control the Disrupt Sphere or other parameters as you like. The 2 - slot modulation matrix gives you even more control, allowing you to connect parameters or use MIDI. As for maintenance, make sure your software is always up - to - date to get the best performance. Keep an eye on your system's resources when using LowSane, as it can be a bit resource - intensive. And always save your settings regularly to avoid losing any creative work.