Universal Audio 1176 Classic Limiter Collection

The Universal Audio 1176 Classic Limiter Collection is the ultimate set of the world's most renowned compressors. Designed by UA founder M.T. 'Bill' Putnam, the original 1176 was a huge leap in limiter tech. It was the first compressor with solid - state circuitry and ultra - fast 20 microsecond FET gain reduction. This easy - to - use compressor has added its unique character to some of history's greatest recordings. In 2001, UA's first 1176 plug - in launched the UAD platform. In 2013, detailed circuit modeling captured more sonic details. Now, with updated graphics and extra controls, it continues its legacy of top - notch analog modeling. Features include painstaking emulations of the 1176 for tracking and mixing. You can choose from three famous versions: Rev A, Rev E, and AE, each with distinct sonic traits. Harness its entire electronic path for colorful distortion. Access special modes for unique textures. There are also expanded controls and presets from legendary users. It comes in UAD Native for Mac or PC and Apollo Realtime & UAD - 2 for accelerated performance. This collection offers three different 1176 revisions, spanning over 40 years of design. Using an 1176 is simple, with easy - to - understand controls. The Ratio buttons add iconic color. And exclusive plugin - only features make it great for modern workflows.

Using the Universal Audio 1176 Classic Limiter Collection is a breeze. First, decide which version - Rev A, Rev E, or AE - suits your needs based on their sonic attributes. To start using the compressor, set the Input control to adjust both the compression threshold and the signal level entering the device. Then, use the Output control to set the final signal level. For the Attack and Release settings, the Attack determines how quickly the compressor responds to the incoming signal, while the Release sets the time it takes to return to the initial level. The VU meter shows the gain reduction or output level. The Ratio buttons are important for controlling the degree of gain reduction. Lower ratios are for compression, and higher ones are for limiting. You can also disengage all Ratio buttons to add a unique color to the signal. When using it with modern workflows, take advantage of the Dry/Wet mix controls for quick parallel processing on bass and kick drums. The custom Sidechain Filter can help reduce low - frequency pumping. As for maintenance, keep your software up - to - date. If you're using the UAD Native version on your Mac or PC, make sure your operating system is compatible. For the Apollo Realtime & UAD - 2 version, follow the hardware manufacturer's guidelines for proper care.